You can take the high road or the low road from Santa Fe.
Most tourists go one way and come back the other. The low road winds up the Rio
Grande where it makes a huge gorge at the elevation of Taos. Not the Grand
Canyon but impressive nevertheless. The 1965 bridge is the 5th
highest in the US. One of our party elected not to walk out on the bridge to
get the view of the river below.
Taos is home to the Taos Pueblo, a site inhabited for about
a thousand years. In 1992 Taos Pueblo was inscribed onto the World Heritage
List by UNESCO as: The First Living World Heritage. Few live there now as there
is no electricity and running water. But many come back for feast days and
several work in the pueblo. We had a native boy giving us the tour of this home
of “the People of the Red Willow,” which line the stream where those living
there go to get water daily. We had some Indian fry bread. They usually serve
it to tourists with powdered sugar but one lady was using it for a bun for her
hamburgers. We talked with one lady who was painting pottery. She was very
proud of her son who had graduated from Dartmouth in New Hampshire, one of the
Ivy League schools established to educate the Native Americans. A granddaughter
was thinking of going to Wellesley next year. The tribe speaks their native “Tiwa”
and have their own school at the pueblo through eighth grade.
We lodged while in Taos, at the former home of Mabel Dodge
Luhan, an eccentric easterner who had come west in the early 1900’s and married
one of the local Taos Indians, Tony Luhan. She entertained TH Lawrence, Georgia
O’Keeffe, Ansel Adams, Martha Graham among others. Dennis Hooper owned the
house in the late 20th century. We visited Dennis Hooper’s grave in
the Jesus Nazareno Cemetery near the San Francisco de Asis Church where his
funeral was held. The church was made famous by a painting by O’Keeffe. Mabel is buried in the Kit Carson Cemetery
(where Kit and his wife are buried) in Taos and Tony Luhan’s grave is at Taos
Pueblo. Graves are mostly marked with crosses and highly decorated with
‘stuff.’ We visited Kit Carson’s home in town and an 1804 hacienda. There are
no exterior windows or doors in the hacienda for protective purposes, only a
portal leading into the courtyard. The Indian pueblos originally did not have
doors or windows either, but a hole in the roof and ladders that they could
pull up to keep out intruders. There is a lot of art in Taos as well as Santa
Fe but the town is smaller and more manageable. We visited all the museums. My
favorite was the Millicent Rogers Museum which has a collection of her
turquoise and silver jewelry. This style maker, socialite and designer from New
York lived in Taos and appeared in photo spreads in ‘Vogue’ and ‘Harper’s
Bazaar.’ My husband particularly liked the Taos Art Museum. It was the home of
Russian, Nicolai Fechin and is a showcase of not only his paintings but his
woodwork. He hand-carved the lintels, staircases, bedsteads, and more, in a
combination of Russian Tartar and local styles.
Breakfasts at the Mabel Dodge house were huge and served
communally. My husband particularly liked the egg dishes. One special breakfast
had spinach with eggs with some herb that I could not define. We had wonderful
blueberry corn pancakes, great coffee and fruit. If I return to Taos I would
stay longer at the Mabel Dodge House. It is a homey, quirky place. One bathroom
has 3 walls of windows and no curtains. Not to worry. DH Lawrence painted
designs on all the windows. We also enjoyed a dinner at Doc Martin’s. It is
located in the former home of the local MD and has one room known as the
delivery where he did in fact deliver babies, in the day. We had a cup of chili
for starters. Served with lettuce, tomato and a tortilla on the side, it could
have been the meal. But we went on with enchiladas and all the trimmings.
Because of a mix-up with the wine we got a free dessert. We boxed it up and had
it with coffee back at Mabel’s who always had coffee available.
Upon returning home I found a recipe for Navajo fry bread.
This bread is still the traditional bread served at New Mexico fairs, craft
show, and Indian powpows. The recipe calls for poking a hole so the bread will
rise, but tradition says that poking the hole lets out evil spirits. The bread
reminds me of New Orleans’ beignets.
Navajo Fry Bread
Makes 4 servings
2 cups unbleached all-purpose flour
2 teaspoons baking powder
1 teaspoon salt
2 tablespoons shortening
2/3 cup lukewarm water
Vegetable oil for frying
Jam, honey, or powdered sugar
In a medium-sized bowl, combine flour, baking powder, and
salt; cut in shortening until mixture has the appearance of fine crumbs.
Sprinkle in water, 1 tablespoon at a time. Use a fork to toss until flour is
moistened and dough almost cleans side of bowl. Dough should be soft, but not
sticky.
On a lightly floured surface, knead dough until smooth. Form
into ball, cover and refrigerate for 30 minutes.
Heat oil in a large skillet to 400°F. Tear off a piece of
dough about the size of a peach. Pat and stretch until thin and round, about
6-8 inches in diameter.
Poke a hole through the middle and drip into sizzling
vegetable oil.
Fry circles, turning once, until golden brown, about 1
minute per side. Bread will puff beautifully. Serve with jam, honey, or
powdered sugar.
Another type of bread that you will see on menus is called
sopapillas. This bread is much like the Navajo fry bread except it uses yeast
and sugar which makes it a sweet bread for dessert and is usually served with
honey and cinnamon. It also can be made savory and stuffed with meat and beans.
I would recommend a visit to Taos. It is an enchanting place
with so much art and history. Museums are abundant and the food is delicious.
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